{"id":95703,"date":"2021-04-28T10:21:15","date_gmt":"2021-04-28T08:21:15","guid":{"rendered":"https:\/\/www.centredelagravure.be\/?post_type=extra&#038;p=95703"},"modified":"2021-04-28T10:21:16","modified_gmt":"2021-04-28T08:21:16","slug":"b57","status":"publish","type":"extra","link":"https:\/\/www.centredelagravure.be\/en\/extra\/b57\/","title":{"rendered":"Luca Vanello"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Luca Vanello, n\u00e9 Trieste en Italie, vient d\u2019achever un post\u2011graduat au HISK de Gand, apr\u00e8s s\u2019\u00eatre form\u00e9 \u00e0 la Slade School of Fine Art de Londres entre 2010 \u2011 2013 et \u00e0 l\u2019Universit\u00e4t der K\u00fcnste de Berlin. Sa pratique multiforme allant de du film \u00e0 l\u2019installation, pr\u00e9sente un fort ancrage conceptuel, tournant autour des concepts de transformation et de m\u00e9tabolisation. <span class=\"has-inline-color has-accent-color-color\">La pratique de Luca Vanello traite de concepts universels et arch\u00e9typaux tels que l\u2019aspiration \u00e0 l\u2019\u00e9ternit\u00e9, la peur de la mort et de la d\u00e9gradation avec une approche singuli\u00e8re et beaucoup de po\u00e9sie.<\/span> Ce qui en fait la particularit\u00e9 r\u00e9side sans doute dans la mise \u00e0 niveau, la confrontation indiff\u00e9renci\u00e9e entre l\u2019\u00e9l\u00e9ment organique et l\u2019\u00e9l\u00e9ment technologique ou bionique. <span class=\"has-inline-color has-accent-color-color\">Concr\u00e8tement, ses propositions mettent en \u0153uvre la dissolution ou la r\u00e9duction de mat\u00e9riaux artificiels et technologiques tels que des proth\u00e8ses de plastique, en leur conf\u00e9rant une fragilit\u00e9 toute organique. De fa\u00e7on sym\u00e9trique, des \u00e9l\u00e9ments organiques v\u00e9g\u00e9taux se voient comme blanchis, cryog\u00e9nis\u00e9s \u2011 exprimant notre aspiration \u00e0 l\u2019immortalit\u00e9 \u2011 apr\u00e8s avoir \u00e9t\u00e9 vid\u00e9s de leur chlorophylle.<\/span> De l\u2019un \u00e0 l\u2019autre, ces aller\u2011retours, ces transsubstantiations non hi\u00e9rarchis\u00e9es entre l\u2019organique et l\u2019artificiel conf\u00e8rent \u00e0 son travail une aura <span class=\"has-inline-color has-accent-color-color\">de vuln\u00e9rabilit\u00e9 partag\u00e9e, ou de fragile r\u00e9silience. Tout se passe comme si l\u2019organique, le m\u00e9canique ou le digital, allaient trouver, au\u2011del\u00e0 et en dehors de l\u2019humain, un \u00e9quilibre qui leur appartiendrait en propre.<\/span><br><br>Les \u0153uvres que nous pr\u00e9sentons ici sont tir\u00e9es de la pr\u00e9sentation <em>Nesting between Fingers, twelve limbed Wish<\/em>. Pour l\u2019une, il s\u2019agit d\u2019un <em>print <\/em>\u00e0 l\u2019allure abstraite form\u00e9 par l\u2019introduction d\u2019un codage permettant l\u2019insertion virale d\u2019un \u00e9l\u00e9ment textuel dans le code binaire d\u2019une image digitale, cr\u00e9ant ainsi un glitch qui vient oblit\u00e9rer cette derni\u00e8re. En l\u2019occurrence cette image originelle, charg\u00e9e \u00e9motionnellement, \u00e9tait issue du site internet d\u2019un centre de soins palliatifs, et a \u00e9t\u00e9 alt\u00e9r\u00e9e par l\u2019introduction de mots grav\u00e9s trouv\u00e9s sur l\u2019un des murs du centre. Un \u00e9l\u00e9ment de translation suppl\u00e9mentaire, porteur de sens, r\u00e9side dans le fait que l\u2019image a \u00e9t\u00e9 imprim\u00e9e sur une fourrure synth\u00e9tique \u00e9voquant la peau animale, support ancestral et organique de nos \u00e9critures. Pour l\u2019autre, il s\u2019agit d\u2019une installation de diverses branches v\u00e9g\u00e9tales vid\u00e9es de leur chlorophylle, dans laquelle s\u2019int\u00e8gre de fa\u00e7on discr\u00e8te, un \u00e9l\u00e9ment alt\u00e9r\u00e9 de proth\u00e8se m\u00e9canique plastique.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">English<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Luca Vanello, born Trieste in Italy, has just completed a postgraduate degree at HISK in Ghent, after having trained at the Slade School of Fine Art in London between 2010 &#8211; 2013 and at the Universit\u00e4t der K\u00fcnste in Berlin. <span class=\"has-inline-color has-accent-color-color\">His multifaceted work, which ranges from film to installation, has a strong conceptual foundation, revolving around the concepts of transformation and metabolization.<\/span> <span class=\"has-inline-color has-accent-color-color\">Concretely his works enact the dissolution or reduction of artificial and technological materials such as plastic prostheses by giving them an entirely organic fragility, while plant organic elements are seen as bleached, cryogenized, expressing our aspiration to immortality in being emptied of their chlorophyll.<\/span> From one to the other, these back-and-forth movements, these non-hierarchical trans-substantiations between the organic and the artificial give his work an aura of shared vulnerability, or fragile resilience. <span class=\"has-inline-color has-accent-color-color\">Everything unfolds as if the organic, the mechanical or the digital, were going to find, beyond and outside the human, a balance of their own.<\/span> <br><br>The works we present here are taken from the presentation <em>Nesting between Fingers, twelve limbed Wish. <\/em>For one, it is an abstract-looking print formed by the introduction of a coding allowing the viral insertion of a textual element in the binary code of a digital image, thus creating a glitch which subverts the latter. In this case, this original, emotionally charged image was taken from a hospice\u2019s website, and was altered by the introduction of carved words found on one of the centre\u2019s walls. An additional element of translation, carrying meaning, resides in the fact that the image has been printed on a fake fur, thus counterfeiting the ancestral and organic support for mankind\u2019s writings. For the other, it is an installation of various plant branches stripped of their chlorophyll, in which an altered element of a plastic prostheses is concealed.<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-95703","extra","type-extra","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra\/95703","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra"}],"about":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/types\/extra"}],"wp:attachment":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/media?parent=95703"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}