{"id":95687,"date":"2021-04-28T10:11:25","date_gmt":"2021-04-28T08:11:25","guid":{"rendered":"https:\/\/www.centredelagravure.be\/?post_type=extra&#038;p=95687"},"modified":"2021-04-28T10:11:55","modified_gmt":"2021-04-28T08:11:55","slug":"b44","status":"publish","type":"extra","link":"https:\/\/www.centredelagravure.be\/en\/extra\/b44\/","title":{"rendered":"Emmanuelle Quertain"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">La pratique d\u2019Emmanuelle Quertain est essentiellement picturale. N\u00e9anmoins, au travers de collaborations notamment avec Thorsten Baensch \/ Bartleby &amp; co, elle a d\u00e9velopp\u00e9 ces derni\u00e8res ann\u00e9es une affinit\u00e9 avec les possibilit\u00e9s de reproduction de propositions picturales dans des projets \u00e9ditoriaux. En 2019, elle a effectu\u00e9 une r\u00e9sidence au Frans Masereel Centrum o\u00f9 elle a explor\u00e9 les potentialit\u00e9s d\u2019utilisation de copieurs risographiques et de d\u00e9coupe ou impressions laser afin de transcender les potentialit\u00e9s picturales de ces outils de reproduction. <span class=\"has-inline-color has-accent-color-color\">Les \u0153uvres que nous pr\u00e9sentons ici r\u00e9sultent de cette r\u00e9sidence. Ce sont des d\u00e9coupes laser sur li\u00e8ge, au d\u00e9part de reproductions d\u2019\u0153uvres iconiques de la peinture espagnole du XVII<sup>e<\/sup> si\u00e8cle ou fran\u00e7aise du XIX<sup>e<\/sup> si\u00e8cle (de Velasquez et Manet) dont il ne reste que de fugitives ombres d\u00e9coup\u00e9es.<\/span> Elle fonctionnent d\u00e8s lors comme un statement engag\u00e9 sur les destin\u00e9es oubli\u00e9es de ces figures sacrifi\u00e9es sur l\u2019autel de la grande histoire, autant que comme un commentaire critique sur l\u2019\u00e9vanescence croissante de nos r\u00e9f\u00e9rences culturelles.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">English<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Emmanuelle Quertain&#8217;s practice is essentially pictorial. Nevertheless, through collaborations, in particular with Thorsten Baensch\/Bartleby &amp; co, in recent years she has developed an affinity with the possibilities of reproducing pictorial works in editorial projects. In 2019, she did a residency at the Frans Masereel Centrum where she explored the potential of using Risograph copiers and laser cutting or printing in order to transcend the pictorial potential of these reproduction tools. <span class=\"has-inline-color has-accent-color-color\">The works presented here were produced during that residency. They are laser cut-outs on cork or wood,\u00a0of reproductions of iconic works of 17th century Spanish or 19th century French painting (by Velasquez and Manet) of which only fleeting shadows remain.<\/span> They therefore function as an engaged statement on the forgotten destinies of these figures sacrificed on the altar of mainstream history, and equally as a critical commentary on the growing evanescence of our cultural references.<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-95687","extra","type-extra","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra\/95687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra"}],"about":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/types\/extra"}],"wp:attachment":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/media?parent=95687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}