{"id":95668,"date":"2021-04-28T09:56:38","date_gmt":"2021-04-28T07:56:38","guid":{"rendered":"https:\/\/www.centredelagravure.be\/?post_type=extra&#038;p=95668"},"modified":"2021-04-28T09:56:38","modified_gmt":"2021-04-28T07:56:38","slug":"b31","status":"publish","type":"extra","link":"https:\/\/www.centredelagravure.be\/en\/extra\/b31\/","title":{"rendered":"David Maljkovi\u0107"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">L\u2019approche plastique et conceptuelle de David Maljkovi\u0107 est profond\u00e9ment ancr\u00e9e dans le temps, le pr\u00e9sent contemporain d\u2019une monstration donn\u00e9e d\u2019une \u0153uvre ou d\u2019un ensemble d\u2019\u0153uvres (voire d\u2019une exposition). <span class=\"has-inline-color has-accent-color-color\">Il dig\u00e8re, m\u00e9tabolise et questionne la place de ses propres \u0153uvres au sein de son corpus, <\/span>de l\u2019histoire qui leur appartient, dans celle qu\u2019elles occupent au sein d\u2019une sc\u00e8ne contemporaine globalis\u00e9e, en les recyclant et transformant, tout en jetant des ponts avec des \u0153uvres ou artefacts du pass\u00e9, con\u00e7ues ou r\u00e9alis\u00e9es par d\u2019autres cr\u00e9ateurs. L\u2019aluminium est au c\u0153ur des \u0153uvres de la s\u00e9rie <em>In the List of Works<\/em> que nous pr\u00e9sentons ici. <span class=\"has-inline-color has-accent-color-color\">Les pi\u00e8ces r\u00e9sultent d\u2019impressions d\u00e9licates sur aluminium o\u00f9 il d\u00e9construit\/oblit\u00e8re le contenu que celles\u2011ci pouvaient avoir \u00e0 leur origine en les d\u00e9truisant et en leur conf\u00e9rant une forme sculpturale ouverte, fragile et potentiellement en devenir.<\/span> Son art est ici plus que jamais r\u00e9f\u00e9rentiel, auto\u2011r\u00e9f\u00e9rentiel, m\u00e9tabolisant et dig\u00e9rant litt\u00e9ralement ses cr\u00e9ations ant\u00e9rieures, mais en se cristallisant sur la fragilit\u00e9 d\u2019une forme donn\u00e9e \u00e0 un moment donn\u00e9, dans <span class=\"has-inline-color has-accent-color-color\">un continuum de transformations qui nous am\u00e8ne \u00e0 r\u00e9fl\u00e9chir de fa\u00e7on plus large et involutive sur notre propre rapport au temps et \u00e0 la destruction.<\/span> D\u2019une certaine fa\u00e7on, ils d\u00e9construisent l\u2019illusion civilisationnelle que nous avons de vouloir figer une situation ou des rapports d\u2019\u00e9quilibre donn\u00e9s pour l\u2019\u00e9ternit\u00e9.<br><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">English<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">David Maljkovi\u0107&#8217;s plastic and conceptual approach is deeply rooted in time, the contemporary present of a given monstration of a work or a set of works (or even an exhibition), inscribed in a continuum of re-elaborations and metabolizations.&nbsp;In a sense, Maljkovi\u0107 enjoys assuming the liminal role of creator and\/or gallery owner\/curator, stopping along the way, as if to plasticly freeze a transitory and in-between moment in the life of his own works. <span class=\"has-inline-color has-accent-color-color\">He metabolizes and questions the place of his works within his own oeuvre, the history that belongs to them, the place they occupy within a globalized contemporary scene, while creating and building bridges with works or artefacts from the past, designed and\/or produced by other creators. Aluminium is at the heart of the works of the <em>In the List of Works<\/em> series that we present here. The works are the result of delicate prints on aluminium where he deconstructs\/obliterates the content they may have had at their origin by destroying them and giving them an open, fragile and potentially evolving sculptural form.<\/span> His art is here more than ever referential, self-referential, literally metabolizing and digesting his previous creations, but in crystallizing on the fragility of a given form at a given moment, in a <em>continuum<\/em> of transformations <span class=\"has-inline-color has-accent-color-color\">that leads us to reflect more broadly and complexly on our own relationship to time and destruction. <\/span>In a way, they deconstruct the civilizational illusion we have of wanting to freeze a given situation or balance ratios for all eternity.<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-95668","extra","type-extra","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra\/95668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra"}],"about":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/types\/extra"}],"wp:attachment":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/media?parent=95668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}