{"id":95665,"date":"2021-04-28T09:52:26","date_gmt":"2021-04-28T07:52:26","guid":{"rendered":"https:\/\/www.centredelagravure.be\/?post_type=extra&p=95665"},"modified":"2021-04-28T09:52:26","modified_gmt":"2021-04-28T07:52:26","slug":"b28","status":"publish","type":"extra","link":"https:\/\/www.centredelagravure.be\/en\/extra\/b28\/","title":{"rendered":"Hanne Lippard"},"content":{"rendered":"\n

Dipl\u00f4m\u00e9e en 2010 de la section de design graphique de la Rietveld Academy, Hanne Lippard a une pratique artistique li\u00e9e au verbe, qu\u2019elle d\u00e9ploie souvent de fa\u00e7on performative, mais aussi de fa\u00e7on sculpturale, installative ou imprim\u00e9e. Elle utilise la voix et le langage comme des mat\u00e9riaux bruts qu\u2019elle fa\u00e7onne et fragmente souvent de fa\u00e7on rythmique afin d\u2019en accentuer le potentiel dramatique. Lippard s\u2019int\u00e9resse en particulier aux forces sociales qui visaient au contr\u00f4le r\u00e9gissant l\u2019usage du langage et la prise de parole des femmes \u00e0 travers l\u2019histoire. Et ce, tant au niveau du fond que de la forme, du registre de langage ou de l\u2019intonation. Cette pression du patriarcat, \u00e0 laquelle aucune des soci\u00e9t\u00e9s auxquelles nous nous r\u00e9f\u00e9rons historiquement n\u2019a \u00e9chapp\u00e9, de la Gr\u00e8ce Antique \u00e0 l\u2019Occident contemporain, induit l\u2019int\u00e9riorisation d\u2019une forme d\u2019auto\u2011censure dans le chef m\u00eame des femmes lorsque les structures de pouvoir sont mises en jeu. C\u2019est \u00e0 cette d\u00e9colonisation encore en chantier de notre inconscient collectif que s\u2019attelle de fa\u00e7on r\u00e9currente Hanne Lippard. Les pi\u00e8ces que nous pr\u00e9sentons ici font partie de la s\u00e9rie Curse, une revisitation contemporaine de la tradition antique dans l\u2019Empire romain de ces tablettes grav\u00e9es annuelles, anonymes et lib\u00e9ratoires, \u00e9manant de tous les laiss\u00e9s\u2011pour\u2011compte, qui n\u2019avaient pas droit \u00e0 la parole citoyenne : femmes, esclaves, barbares. Lippard a compos\u00e9 treize \u00ab mal\u00e9dictions \u00bb contemporaines, grav\u00e9es au laser sur des tablettes en plexi noir :<\/span> elles d\u00e9crivent non sans humour des situations \u00e0 la fois absurdes et banales, d\u00e9non\u00e7ant implicitement la superficialit\u00e9 de notre quotidien, avec des r\u00e9f\u00e9rences directes \u00e0 la crise du COVID\u201119 que nous sommes en train de traverser.<\/span><\/p>\n\n\n\n

English<\/h2>\n\n\n\n

Having graduated in 2010 from the graphic design section of the Rietveld Academy, Hanne Lippard\u2019s has an artistic practice linked to the word, which she often expresses in performance, but also in a sculptural, installation or in printed form. She uses voice and language as raw materials that she shapes and often fragments in a rhythmic way in order to accentuate their dramatic potential. Lippard is particularly interested in the social forces that have aimed at controlling the use of language and the voice of women throughout history. And this, both in substance and in form, in the register of language or intonation. This pressure from patriarchy, to which none of the societies to which we refer historically has been immune, from Ancient Greece to the contemporary West, induces the interiorization of a form of self-censorship even among women when power structures are brought into play. Even beyond the gradual rebalancing of gender relations in the Western world, archaic cultural codes still to a certain extent govern the use of language. It is this still under construction decolonization of our collective unconscious that Hanne Lippard repeatedly tackles. The pieces we present here are Curses I-XIII<\/em>, a contemporary revisit of the ancient tradition in the Roman Empire of those anonymous and liberating curses which all those who were left out, who had no right to speak as citizens (women, slaves, children, barbarians) were once a year allowed to express on engraved tablets. Lippard composed thirteen contemporary curses, laser-engraved on black plexiglass tablets: they describe with humour both absurd and banal situations, implicitly denouncing the superficiality of our daily life, with direct references to the COVID-19 crisis that we are going through.<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-95665","extra","type-extra","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra\/95665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra"}],"about":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/types\/extra"}],"wp:attachment":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/media?parent=95665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}