{"id":95652,"date":"2021-04-28T09:42:08","date_gmt":"2021-04-28T07:42:08","guid":{"rendered":"https:\/\/www.centredelagravure.be\/?post_type=extra&#038;p=95652"},"modified":"2021-04-28T09:42:08","modified_gmt":"2021-04-28T07:42:08","slug":"b19","status":"publish","type":"extra","link":"https:\/\/www.centredelagravure.be\/en\/extra\/b19\/","title":{"rendered":"Emeline Depas"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><span class=\"has-inline-color has-accent-color-color\">Le geste consign\u00e9 dans le print d\u2019Emeline Depas est \u00e0 la fois pr\u00e9cis et polys\u00e9mique.<\/span> Il tire son inspiration dans l\u2019habitude <span class=\"has-inline-color has-accent-color-color\">qu\u2019avait Picasso,<\/span> dans ses ann\u00e9es maigres, de r\u00e9gler ses notes de restaurant en griffonnant un dessin sign\u00e9 sur le coin de la nappe. <span class=\"has-inline-color has-accent-color-color\">\u00c0 plus d\u2019un si\u00e8cle de distance, plus question de dessins ici, le nom et la signature de Picasso suffisent, devenus en soi un objet de merchandising <\/span>qui a pu \u00eatre appliqu\u00e9, \u00e0 n\u2019en pas douter contre des esp\u00e8ces sonnantes et tr\u00e9buchantes, \u00e0 une c\u00e9l\u00e8bre marque&nbsp;de voitures. Un objet de merchandising directement reconnaissable par la plupart d\u2019entre nous qui en dit long sur l\u2019\u00e9volution du monde de l\u2019art. <span class=\"has-inline-color has-accent-color-color\">En y regardant de plus pr\u00e8s, une simple substitution de lettre, \u00e0 peine remarqu\u00e9e par un oeil press\u00e9, permet \u00e0 l\u2019artiste d\u2019\u00e9chapper aux lois du merchandising comme de mettre en \u0153uvre une autre dimension de son projet. Le P initial est devenu un R ce qui met en abyme le choix fait par Depas de composer la pseudo\u2011signature de l\u2019artiste mondialement connu avec des grains de riz noir,<\/span> du <em>sticky rice<\/em>, d\u00fbment cuit et gluant, <span class=\"has-inline-color has-accent-color-color\">la version la plus pauvre et non raffin\u00e9e de la c\u00e9r\u00e9ale qui sert de plat de r\u00e9sistance \u00e0 la majorit\u00e9 de la population mondiale,<\/span> dont le niveau de vie est de plus en plus \u00e9loign\u00e9 de celui des potentiels collectionneurs de l\u2019artiste espagnol. <span class=\"has-inline-color has-accent-color-color\">N\u00e9anmoins, ce choix permet aussi de souligner la fa\u00e7on dont certaines valeurs culturelles sont devenues plan\u00e9taires par le jeu de la globalisation que nous connaissons.&nbsp;<\/span><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">English<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><span class=\"has-inline-color has-accent-color-color\">The gesture recorded in Emeline Depas\u2019s print is both precise and polysemous.<\/span> It draws its inspiration from Picasso&#8217;s habit, in his lean years, of settling his restaurant bills by scribbling a signed drawing on the corner of the tablecloth. <span class=\"has-inline-color has-accent-color-color\">More than a century later, there is no longer any question of drawings here, the name and signature of Picasso suffice, having become object of merchandising in their own right that could be applied, undoubtedly in exchange for hard cash, to a famous brand of cars.<\/span> A merchandising item instantly recognisable to most of us that says a lot about the evolution of the art world. <span class=\"has-inline-color has-accent-color-color\">On closer inspection, the simple substitution of a letter, hardly noticed by a hurried eye, allows the artist to escape the laws of merchandising as well as to implement another dimension of his project. The initial P has become an R which undermines the choice made by Depas to compose the pseudo-signature of the internationally known artist with grains of black rice, sticky rice, duly cooked and sticky, the plainest and most unrefined version of the cereal that serves as a main course for the majority of the world&#8217;s population,<\/span> whose standard of living is increasingly far removed from that of the Spanish artist&#8217;s potential collectors. However, this choice also highlights the way in which certain cultural values have become worldwide through the effect of globalization that we are experiencing.<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-95652","extra","type-extra","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra\/95652","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra"}],"about":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/types\/extra"}],"wp:attachment":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/media?parent=95652"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}