{"id":95643,"date":"2021-04-28T09:24:26","date_gmt":"2021-04-28T07:24:26","guid":{"rendered":"https:\/\/www.centredelagravure.be\/?post_type=extra&p=95643"},"modified":"2021-04-28T09:24:27","modified_gmt":"2021-04-28T07:24:27","slug":"b13","status":"publish","type":"extra","link":"https:\/\/www.centredelagravure.be\/en\/extra\/b13\/","title":{"rendered":"Mirko Canesi"},"content":{"rendered":"\n

Yes, pls<\/em>, les \u0153uvres que Mirko Canesi a sp\u00e9cialement con\u00e7ues pour Bye Bye His\u2011Story, chapter 5050 <\/em>s\u2019articulent en deux s\u00e9ries distinctes, induisant des appr\u00e9hensions diff\u00e9rentes du rapport de l\u2019homme \u00e0 la nature. Entre projections anthropomorphes, r\u00e9f\u00e9rences esth\u00e9tiques et culturelles \u00e0 la r\u00e9alit\u00e9 diffract\u00e9e du cubisme, mais aussi \u00e0 la tradition du film noir ou \u00e0 la bande dessin\u00e9e, Yes pls<\/em> pr\u00e9sente des plantes d\u00e9fiant les lois de la pesanteur qui accueillent les visiteurs avec des repr\u00e9sentations diffract\u00e9es et mouvantes de visages humains d\u00e9compos\u00e9s sur leurs feuillages.<\/span> Le rapport duel et dialectique de l\u2019homme \u00e0 la nature s\u2019y exprime de fa\u00e7on synth\u00e9tique entre rapports de projection et de domination et, a contrario<\/em>, une subordination \u00e0 la libert\u00e9 fondamentale et incoercible de l\u2019\u00e9l\u00e9ment naturel. Ailleurs dans l\u2019exposition, ce rapport duel se d\u00e9cline d\u2019une fa\u00e7on distincte sous la forme de T\u2011shirts,<\/span> arborant en leur centre un vase en silicone teint\u00e9 simulant le chromatisme d\u2019un verre teint\u00e9. L\u2019\u00e9lasticit\u00e9 du silicone permet \u00e0 ces vases\/t\u2011shirts d\u2019\u00eatre port\u00e9s, tout en garantissant l\u2019imperm\u00e9abilit\u00e9 du dispositif. Dans cette articulation sp\u00e9cifique de yes, pls<\/em>, l\u2019homme se fait \u00e0 premi\u00e8re vue l\u2019instrument subordonn\u00e9 de l\u2019\u00e9l\u00e9ment naturel<\/span> m\u00eame si, \u00e0 y regarder de plus pr\u00e8s, on y reconna\u00eet les \u00e9l\u00e9ments d\u2019une transformation int\u00e9gr\u00e9e de l\u2019\u00e9l\u00e9ment naturel, pass\u00e9e par le prisme pr\u00e9alable d\u2019une reconstruction et projection virtuelle de ce dernier. <\/p>\n\n\n\n

English<\/h2>\n\n\n\n

Mirko Canesi’s work is protean: It is nevertheless underpinned by lines of force which explore the investment and the concretization of mental\/cultural and immaterial universes or, conversely, which explore, the confrontation of these with a physical and natural reality. In a way, his work aims at a dialectical resolution of these components by in fact creating artefacts and hybrid environments where these different realities come together. Yes, pls, <\/em>the works that Canesi has specially created for Bye Bye His-Story, chapter 5050<\/em> are divided into two distinct series, inducing different apprehensions of the relationship between man and nature.<\/span> Between anthropomorphic projections, aesthetic and cultural references to the diffracted reality of cubism, but also to the tradition of film noir or comics (Canesi was specifically inspired by Berserk<\/em> by Kentaro Miura and Bejelit, a living amulet, resembling an egg covered with different facets of a human face), Yes pls<\/em> presents plants defying the laws of gravity that greet visitors with diffracted and moving representations of human faces decomposed on their foliage.<\/span> The dual and dialectical relationship between man and nature is expressed in a synthetic way between relationships of projection and domination and, conversely, a subordination to the fundamental and unstoppable freedom of the natural element. Elsewhere in the exhibition, this dual relationship comes in a distinct way in the form of T-shirts, potentially worn by performers, sporting in their centre a tinted silicone vase simulating the chromaticism of a tinted glass.<\/span> The aesthetic of these vases is inspired by the plants represented in a stylized fashion in the first level of Flashback<\/em>, a video game set in a futuristic jungle. The elasticity of the silicone allows these vases\/t-shirts to be worn while ensuring the waterproofness of the set-up. In this specific articulation of Yes, pls, <\/em>man becomes at first glance the subordinate instrument of the natural element even if, on closer inspection, one recognizes the elements of an integrated transformation of the natural element, passed through the prism of a prior reconstruction and virtual projection of the latter.<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-95643","extra","type-extra","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra\/95643","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra"}],"about":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/types\/extra"}],"wp:attachment":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/media?parent=95643"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}