{"id":95634,"date":"2021-04-28T09:16:39","date_gmt":"2021-04-28T07:16:39","guid":{"rendered":"https:\/\/www.centredelagravure.be\/?post_type=extra&#038;p=95634"},"modified":"2021-04-28T09:17:24","modified_gmt":"2021-04-28T07:17:24","slug":"b8","status":"publish","type":"extra","link":"https:\/\/www.centredelagravure.be\/en\/extra\/b8\/","title":{"rendered":"L\u00e9a Belooussovitch"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Les mass media nourrissent la pratique de L\u00e9a Belooussovitch, qui en manipule les images ou donn\u00e9es textuelles, pour en offrir au travers de divers mediums, allant du dessin \u00e0 la photo, en passant par la vid\u00e9o, un translation distanci\u00e9e et souvent liss\u00e9e.<br><br><span class=\"has-inline-color has-accent-color-color\"><em>Triangle de Karpman<\/em> est un simple miroir teint\u00e9 sur lequel l\u2019artiste a discr\u00e8tement grav\u00e9 les trois substantifs<\/span> qui structurent les relations triangulaires \u00e0 la base de cette figure d\u2019analyse transactionnelle propos\u00e9e par Stephen Karpman en 1968 dans son article <em>Fairy Tales and Script Drama Analysis<\/em>. Embl\u00e9matique des \u00ab jeux psychologiques \u00bb de manipulation de la communication, <span class=\"has-inline-color has-accent-color-color\">le triangle de Karpman met en effet en \u00e9vidence un sc\u00e9nario relationnel typique entre victime, pers\u00e9cuteur et sauveur, comme autant de r\u00f4les possibles qu\u2019il nous est souvent tentant d\u2019assumer \u00e0 un niveau individuel comme collectif.&nbsp;<\/span><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">English<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The mass media feed the practice of L\u00e9a Belooussovitch, who manipulates images or textual data, to offer them through various mediums, ranging from drawing to photographs and video, resulting in a translation at a remove and often smoothed out.\u00a0<br><br><span class=\"has-inline-color has-accent-color-color\"><em>Triangle de Karpman,<\/em> which we present here, is a very distinctive work from the <em>R\u00e9manences <\/em>series of drawings with colored pencils on felt with which she made a name for herself following her studies, but it is similarly effective. It is a simple tinted mirror on which the artist has discreetly engraved the three substantives that structure the triangular relationships at the base of this transactional analysis figure<\/span> proposed by Stephen Karpman in 1968 in his article <em>Fairy Tales and Script Drama<\/em>. <em>Analysis<\/em>. Emblematic of the &#8220;psychological games&#8221; of manipulation of communication, Karpman&#8217;s transactional triangle highlights a <span class=\"has-inline-color has-accent-color-color\">typical relational scenario between victim, persecutor and savior, as so many possible roles that we are often led to assume on an individual and collective level.<\/span><\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-95634","extra","type-extra","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra\/95634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/extra"}],"about":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/types\/extra"}],"wp:attachment":[{"href":"https:\/\/www.centredelagravure.be\/en\/wp-json\/wp\/v2\/media?parent=95634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}